Španjolski umjetnici Pin pozivaju na audio radionicu pod nazivom O10101 Logika/Nelogika roda buke: KliTouch SYNTH koja se održava u utorak i srijedu, 8. i 9. rujna 2026. od 18 sati u Radioni.
Ova radionica istražuje eksperimentalni zvuk, performans, buku i DIY tehnologiju kao prostore za eksperimentiranje s identitetom, tjelesnošću i kolektivnom slobodom. Kroz zajedničku izradu DIY uređaja za stvaranje buke istraživat ćemo tehnologiju kao nešto što je moguće hakirati, ponovno prisvojiti, transformirati i izvoditi.
Stvarat ćemo hibridna tijela i zvučne artefakte koristeći DIWO elektroniku, sklopove i svakodnevne predmete. Buka postaje alat za ponovno označavanje i stvaranje novih značenja: način otvaranja prostora za različitost, nekonformizam i neočekivane odnose između tijela i strojeva.
Program
1. dan — Egzoskulpture, buka i transhakfeminističke tehnologije; izrada PCB-a
Autori predstavljaju primjere razvijene tijekom prethodnih radionica i performansa, s naglaskom na koncept egzoskulpture: elektroničkih sklopova, senzora i recikliranih elemenata koji se pričvršćuju na tijelo i proširuju njegove mogućnosti. Ovi uređaji nisu samo estetski objekti, već funkcionalne i izvedbene ekstenzije koje mijenjaju naš odnos prema tehnologiji.
Tijekom prvog dana izradit ćemo vlastiti sklop osjetljiv na dodir te proizvesti PCB tehnikom fotoosjetljivog bakra. Od samih osnova upoznat ćemo sklop i njegove glavne elektroničke komponente. Zajedno ćemo istražiti kako čitati elektroničke sheme, prepoznavati komponente i razumjeti funkcioniranje pojedinih dijelova sklopa.
2. dan — Izrada, učenje i sastavljanje PCB-a
Kroz dodir i električnu vodljivost tijela istraživat ćemo kako naša tijela mogu postati dio elektroničkog sustava te izravno aktivirati i transformirati buku.
Nakon što izradimo KliTouch, zajednički ćemo eksperimentirati s njegovim zvučnim i izvedbenim mogućnostima. Istraživat ćemo circuit bending, tjelesnu vodljivost i korištenje tijela kao dijela elektroničkog sustava. Buci ćemo pristupiti kao prostoru različitosti i mogućnosti, propitujući normativne predodžbe o glazbi, tehnologiji i identitetu.
Uređaj se može nositi na tijelu, svirati, modificirati i aktivirati u odnosu s drugim tijelima, predmetima i neljudskim akterima, otvarajući prostor prema završnom kolektivnom performansu.
Svirajmo zajedno!
Za radionicu nije potrebno prethodno predznanje elektronike. Prijaviti se možete do ponedjeljka, 7. rujna 2026. preko poveznice: https://forms.gle/y233h1oMqXNNX5uF7
Kotizacija iznosi 10 EUR i svoj sint nosite kući.
Pin je transhakfeministički umjetnik_ca, performer_ica i istraživač_ica koja djeluje u području buke, eksperimentalne glazbe, DIY/DIWO tehnologija, BioArta i kolektivnih oblika proizvodnje znanja. Njihova praksa istražuje sjecišta tijela, roda, tehnologije i neljudskih aktera kroz performanse, radionice i eksperimentalne uređaje.
Dio su transhakfeminističkih i open-source mreža, uključujući Petchblenda, Transnoise i Hackteria, te su razvili projekte i mobilne laboratorije usmjerene na tehnološku autonomiju, biohacking i otvoreno znanje. Njihov rad povezuje elektroniku, buku, reciklirane tehnologije i kolektivno eksperimentiranje kao alate za propitivanje i transformiranje našeg odnosa prema tehnologiji.
Biotranslab i Restorative Practices njihovi su najnoviji projekti usmjereni na mobilne laboratorije posvećene održivosti i kolektivnim praksama skrbi.
Podržali: Grad Zagreb / Ministarstvo kulture i medija Republike Hrvatske / Zaklada Kultura nova
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Pin: Workshop O10101 Logic/Non-logic of noise generation – KliTouch SYNTH
Spanish artists PIN invite you to an audio workshop titled O10101 Logic/Illogic of the Noise Genre: KiTouch SYNTH taking place on Tuesday and Wednesday, September 8th and 9th, 2026 from 6pm at the Workshop.
This workshop explores experimental sound, performance, noise and DIY technology as spaces for experimenting with identity, embodiment and collective freedom. Through the collective creation of DIY noise-making devices, we will explore technology as something that can be hacked, re-appropriated, transformed and performed.
We will create hybrid bodies and sonic artefacts using DIWO electronics, circuits and everyday objects. Noise becomes a tool for re-signification: a way of opening space for multiplicity, non-conformity and unexpected relationships between bodies and machines.
Program:
1st day —- Exo-sculptures, noise and transhackfeminist technologies; make the PCB:
I will introduce examples developed in previous workshops and performances, focusing on the concept of the exo-sculpture: electronic circuits, sensors and recycled elements attached to and extending the body. These devices are not only aesthetic objects, but functional and performative extensions that transform our relationship with technology.
During the first day, we will create our own touchable circuit and produce the PCB using a photosensitive copper technique. learning about the circuit and its main electronic components from the basics. Together we will explore how to read schematics, identify components and understand how the different parts of the circuit work.
2nd day —- Building, learning and asembling the PCB:
Through touch and bodily conductivity, we will explore how our bodies can become part of the electronic system and directly activate and transform noise.
Once the Klitouch is built, we will experiment collectively with its sonic and performative possibilities. We will explore circuit bending, bodily conductivity and the use of the body as part of the electronic system. Noise will be approached as a space of multiplicity and possibility, questioning normative ideas of music, technology and identity. The device can be worn, played, modified and activated in relation to other bodies, objects and non-
human agencies, opening towards a final collective performance. Play together!
No prior knowledge of electronics is required for the workshop. You can register by Monday, September 7, 2026 via the link: https://forms.gle/y233h1oMqXNNX5uF7
The registration fee is 10 EUR and you take your synth home.
Pin is a transhackfeminist artist, performer and researcher working with noise, experimental music, DIY/DIWO technologies, BioArt and collective forms of knowledge production. Their practice explores the intersections between bodies, gender, technology
and non-human agencies through performances, workshops and experimental devices. They are part of transhackfeminist and open-source networks including Petchblenda, Transnoise and Hackteria, and have developed projects and mobile laboratories focused on technological autonomy, biohacking and open knowledge. Their work combines electronics, noise, recycled technologies and collective experimentation as tools for questioning and transforming our relationship with technology. Biotranslab and
Restorative Practices were the last projects focused on mobile labs oriented towards sustainability and collective forms of care.